Weir, Andy. The Martian. New York: Broadway Books, 2014.
I first heard about this book when it was mentioned in this XKCD comic. For whatever reason, that description, plus the film’s trailer, made me want to read it. AND SO HERE WE ARE, AT THE BEGINNING OF ANOTHER REVIEW.
Okay, plot summary: Mark Watney, a botanist and mechanical engineer, is accidentally left behind after the Ares 3 mission to Mars. In case you don’t know anything about interstellar travel, the distance between the Earth and Mars is roughly 140 million miles; it’s only 92 million miles from the sun to the Earth (a distance known as 1 Astronomical Unit, or AU), so the distance from the Earth to Mars is roughly one and a half times the distance from the Earth to the Sun. If you could travel the speed of light, you would be able to send a rescue mission across that distance in about 15 minutes, more or less. If you lived in the far future where there were ships waiting on the launch pad in the event of an emergency. Unfortunately for Watney, he lives in the more-or-less present, where technology is about what you’re familiar with and it’s going to take upwards of four years to get him rescued. And he has the rations sent for himself and five crew mates for thirty days, so all in all he has about one hundred and fifty days’ worth of food. Also, he has no way of communicating with NASA (the communications devices were damaged during the storm that caused his mission to abort). So he’s in what might be called a real pickle.
That’s the setup. I won’t give the ending away, since this is a relatively recent book, but if you haven’t read it and plan to, you should be aware that I will refer to details of the story later in this review that could potentially spoil parts of it for you. Consider yourself warned.
Watney faces his situation with a certain amount of nerve and a sense of humor. Most of the book is essentially epistlatory in nature, playing out through a series of log entries and email exchanges, although there are some narrative sections as well. Going beyond Watney, a lot of the supporting characters are not strongly drawn personalities; there’s Annie, the NASA media person, who cusses a lot; Venkat, the administrator who is in charge of the Ares project; Teddy, a higher-ranking administrator at NASA; Bruce, who is in charge of Jet Propulsion Labs (JPL); and some other astronauts who have various jobs. They are a mix of races and genders, but their characters didn’t feel distinct enough to be able to say, “This character’s drive is x, this one’s is y.” Perhaps because they all were working toward the same goal, and no one had any underhanded motives. It’s actually pretty easy to see why this book was picked to become a film—the plot is really straightforward. There are certainly a lot of events that befall our hero as he scrapes through each day, but the goal—survival, getting off Mars—remains the same for the entire book, and with this sort of Man vs. Planet plot, there’s no need to humanize the opponent in the third act to set up some sort of gray area. And, as I said, the characters have only a few characteristics given—this one likes disco, this one likes old mystery novels—so for an actor, they might be a lot of fun to add more details to and really bring to life.
One thing this book does really effectively is teach the engineering mindset. This is something I’ve been getting into myself, since I’ve been learning how to write code the past few weeks. Basically when I say engineering mindset, what I mean is a step-based, iterative approach to problem-solving. You have a particular large issue—“How do I stay alive on a hostile planet for four years?”—and break it down into pieces. What do you need to survive? Food, water, shelter. Okay, what methods can you use to get food? (Hint: The hero, conveniently, is a botanist.) Once you have a method, if you can use this method to produce x amount of food, where the total amount you need is z and z−x is > 0, how can you start to increase your yield? And so on. It’s not necessarily super thrilling, but it actually feels like how an astronaut might approach a problem like this, which is kind of neat. I can tell now, looking at the film’s trailer, that a lot of stuff has been added in to provide emotional interest, whereas the book was heavy on the science and low on the human stuff (second trailer: super funny). I hope they don’t get rid of too much of the science stuff, since one of the neater sides of the book was getting to see something about how NASA, the JPL, and the various astronauts work on problems and think through things. For example, I didn’t realize that they were so concerned with mission failures that a 4% margin of error is considered unacceptably high. (Or perhaps it’s not, but the book is fairly accurate about a lot of space-related stuff.) Somewhat unfortunately, during the times Watney is in contact with NASA/JPL, a lot of his narrative is reduced to “Did what NASA said. Awaiting next transmission.” He doesn’t go rogue or rebel. He just wants to do right and live through this. But his willingness to cooperate is really a hint at the intriguing central question of this book.
The soul of this book, the question it really grapples with, is not a scientific one but a human one: Why spend so much money and so many resources (both physical resources in terms of food and technology and ephemeral resources like time and manpower) to rescue one guy? A few of the characters in the book bring this up sort of peripherally—by expending all their efforts to get Watney, NASA is giving up a lot of other research projects that could be providing data (and they’re not the only one—NASA’s Chinese counterparts bemoan the loss of data a probe was supposed to bring them even as they hand it over to be used for this mission. Reporters, whose constant presence seems unfortunately very realistic, question whether the expenditure of money is worth it. The book’s answer is decisively yes, and it’s not just because Watney is such a winning character. As Watney puts it (you can hear him saying this if you go watch the trailer), people’s natural instinct is to pull together in a disaster—giving blood or money, volunteering to help in some way. The book is not about man’s inhumanity to man, as is the case with so many works, but about man’s humanity to man in the face of adversity. It’s a thought that feels startlingly naïve, and yet one that’s welcome in this age of strife.
I’m not usually a hard scifi person, but this book was an exciting and quick read. Weir is a good writer; he’s not poetic by any means, but he’s funny and has a solid grasp of his craft. His characters are smart. I’d say on the whole there aren’t enough female scientists represented—most of the characters are male—but that actually feels kind of petty here. And the women who do appear are as strong and smart as their male peers; in all the depiction is much more satisfying than the one in Dune. Sorry, Frank.
 In addition to the other things, the film being set on Mars, a very red-orange planet, gives the filmmakers a chance to make everything as orange and teal as possible.
 How dangerous it is to be an astronaut depends on how you look at who exactly is an astronaut and what exactly counts as an astronaut-related death (for example, a test pilot flying a plane at sufficient altitude could be considered to have entered space without actually being an astronaut; there have been a lot of deaths during training missions, both spaceflight-related, as Apollo I, and unrelated, as various plane crashes that have killed astronauts). Wikipedia says there have been eighteen in-space deaths in four incidents, thirteen non-space (training) deaths, and also lists a bunch of non-astronaut space-program-related fatalities, such as NASA personnel who got caught in the wrong place when things blew up. There have been 536 people in space as of November 2013, meaning that astronauts have a death rate of something like 5.78%. Yikes.